Feature
Articles
- Tributes Etta Jones
was dogged by the confusion between
herself and Ms. Etta James all of her
life. Her long-time drummer (and poet) got
mad when (again) an announcer introduced
her as "Etta James" years ago. He took out
his anger on paper, and wrote a poem about
it. JONES
THAT IS more
better unmistakably
it's Miss Etta Jones
that is she
really belts the blues and
has paid her dues Jones
that is She's
fluid on the stand and
swings like no
one else can like
the way she'll interpret
a ballad until
it becomes personally
valid Her
flair, style
and class make
the memory of
each note last
and last and
of course there's many
singers but
none can make you
pop your fingers like
Miss Etta Jones
that is by
Chip White, from Etta
Jones In
mid-June, 1998, back in our age of
innocence, I had booked my favorite living
vocalist into a spectacular private party
for Microsoft. The location was "Windows
on the World," the 107th floor of World
Trade Tower One. Etta Jones, who lost her
second long battle with cancer on October
16 at the age of 72, was the
performer. Etta was
not accustomed to corporate events, where
a singer can be in the background as
people socialize. She came directly to me
after the first set with a sad look and
said, "They aren't listening, I don't
think they like me." I asked her to turn
around. A line of people wanting to meet
this great lady had formed behind her! All of the
great jazz musicians I know wanted to play
with Ms. Jones. This is certainly not true
with most female vocalists. But Etta was
the ultimate, team-playing musician,
always interacting. Etta sang
as beautifully as ever with her musical
partner, the great tenorman Houston
Person, at the Charlie Parker Jazz
Festival in Harlem's Marcus Garvey Park
last August 25. She concluded with her
trademark "Don't Go To Strangers."
Typically, adoring fans swarmed around her
afterward, as she smiled radiantly. Those of
us who had gone listening to music with
Etta knew that she kept her friends out
until the last note was played. People
would try to get her to go home, and she'd
respond, "This ain't no dress rehearsal."
That was her approach to living life to
the fullest. In 1996
she threw a birthday party in the Bronx
with other childhood friends, including
Gloria Lynne. Shortly after the
microphones were put away, Etta was
leading a dozen dancers doing the Electric
Slide at 4:00 a.m.! Etta Jones
was born in Akron, Ohio, on November 25,
1928. In 1994, she spoke with me of
beating supposedly-fatal cancer, having
just been informed by her doctor that she
was then "clean" for five years. Cancer
returned to a lobe of her left lung late
last year. It never prevented her from
performing with a smile. Since
Etta's passing we have also sadly lost
drummer David "Panama" Francis, and The
Poet of the Piano, Tommy
Flanagan.
In
just a blink of history's eye, the jazz
world lost its complacency and three of
its master performers. Did we need to be
reminded that life for everybody and every
place is temporary? Your
favorite artists and the venues in which
they perform won't be around forever. But
if you support them, you may extend
their lives. Go out an
enjoy the healing power of jazz -- be a
part of the extraordinary community that
it brings. Get it while you can, because
as Etta Jones would say, "Life ain't no
dress rehearsal." ©
2002 Russ Dantzler BMFMain
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Etta Jones Dead
at 73
by
Russ
Dantzler
She sings the music
"I'm
Just the Drummer
in the Band"
(c)
Bright Colors Music
Etta Jones
Etta Jones never became as famous as her
talent justified. She was also too much of
a friend to act the diva role. Divas
remain detached and "above" the fans. Etta
couldn't be close enough to them. She
remembered every person's name, no matter
how long it had been since she'd seen
them.
She went on to perform without compromise
until two weeks prior to her
death.
Russ Dantzler can be reached at
Hot Jazz Management
212.586.8125 or
Russ@HotJazzNYC.com